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Italy recognizes Tony’s: a celebrated Italian winemaker shares his impressions

The following translation comes from an article recently published by celebrated Italian winemaker Giovanni Arcari who visited Tony’s for lunch during his tour of the United States.

Hats off for Tony’s, an extraordinary restaurant in the heart of Houston!

During this incredible and wonderful trip [in the U.S.], I was expecting to be amazed by many things: the houses, the cars, and American culture during every moment of the day. And indeed, that’s what’s happened.

But I never imagined that it would be a restaurant that would captivate me with its food and its wine list — a veritable Disneyland (within reach, more or less) for every wine lover.

I have never seen such rare vintages of Romanée-Conti, Pétrus, Haut-Brion, or even Giacosa, Mascarello, and Quintarelli, just to name a few.

Signor Tony was exceedingly gracious and he spared no expense in opening his kitchen to us.

We were immediately treated to a foie gras au torchon (above, left) with brioche toast shaped like a chopstick, crunchy yet soft in its center.

Then came a dish of orecchiette housemade with courtyard-raised chicken eggs and dressed with mortadella, toasted bread, quail eggs, and a delicate cream sauce. The pasta was cooked perfectly — something often lacking even in Italy. Cooking time is fundamental for pasta.

This was followed by a dish of American fish [halibut], perfectly seasoned, delicated, and — most importantly — moist. Another sumptuous offering, light yet rich with flavor, a perfectly balanced dish.

Next I had the fortune of being served Texan lamb chops, which unleashed a monstruous hunger within me, causing me to lose my bearings and to forget the elegance of the venue as I dug my fangs into this extraordinary piece of meat.

[My friend] Jeremy stopped after the fish but we were both awestruck by the wine selection by the young general manager who opened a 2007 Napa Valley Cabernet Sauvignon [Palmaz Vineyards]. The wine had been chosen before the dishes as a sort of “welcome toast” and we decided to continue on with it even though a fish dish was served mid-meal.

Lean, racy, and sumptuous, with high but imperceptible alcohol inasmuch as the ripe fruit (not sour or dried but perfectly ripe) soared above it with imperial resolve. Wood, employed with profound ability and judiciousness. Dry in the mouth, meaty but at the same time fresh. A wine I’d love to taste again in a few years.

After so many God-given delicacies in such an elegant venue with a wine list that gave me goose bumps, I asked what rating the Michelin Guide had given the restaurant. And therein lies the rub: the guide has a presence only in New York, San Francisco, and Chicago, a fact I find no less than embarassing for the United Sates and for the most important restaurant guide in the world!

If Paul Bocuse were to open a restaurant in Houston, wouldn’t Michelin review it? Isn’t it a leader in discovering extraordinary excellence? These dishes cannot be ignored and nor can this wine list or Signor Tony’s passion. After all, Houston is the capital of the oil industry and therefore one of the most important cities in the world. It’s no backwater.

A heartfelt thanks to Signor Tony for his unbridled generosity, to Marty Levy (Jeremy’s cousin, who joined us for lunch) for the splendid conversation, and to Jeremy for the photos.

—Giovanni Arcari

The art of torchon at Tony’s…

We have a saying here at Tony’s: when simply “great” isn’t good enough, you can count on Tony’s…

From chef de cuisine Grant Gordon to wine director Scott Banks, Tony inspires his energetic staff to attain new heights of excellence in both the foods and wines we serve to our guests and the level of world-class service that we offer our patrons.

Classic torchonfoie gras poached in a French torchon or cooking fabric, hence the name — has always been a signature here at Tony’s.

But Tony and his staff are always pushing the boundaries of their innovative cuisine, like this interpretation of torchon, topped with Kobi beef carpaccio and garnished with pickled daikon.

It’s not just great… It’s Tony’s…

Maximilian Riedel visits Tony’s…

“My father Georg always eats at Tony’s when he’s in town,” said Maximilian Riedel when he visited the restaurant last week for lunch. “He loves it that much.”

Maximilian is the eleventh generation of the celebrated Austrian glassmaker Riedel, founded in 1756 and owned and managed by the same family since its inception.

If you’ve ever eaten at one of Tony Vallone’s restaurants, you know Maximilian’s family’s products well: all of Tony’s stemware is by Riedel — considered the benchmark for fine wine glasses — including the company’s trademark decanters (Tony’s currently features the Flirt, Black Tie, Escargot, and Mamba decanters).

Editor of the Wine Advocate and leading U.S. wine authority Robert Parker Jr. has called Riedel’s stemware “The finest glasses for both technical and hedonistic purposes… The effect of these glasses on fine wine is profound. I cannot emphasize enough what a difference they make.”

The family’s contribution to the world of wine has reshaped modern wine connoisseurship. Not only did it develop the concept of grape-variety specificity in stemware (with a line of wine glasses for every major variety), its quest for excellence in design has also earned its “Sommelier” series stemware (featured at Tony’s) a place in the Museum of Modern Art in Manhattan, New York.

Max had planned a visit to Tony’s, he later confessed, to indulge in one of his favorite guilty pleasures: White Truffles from Alba (Piedmont) paired with Champagne. (Max took the photo above with his iPhone; you’ll find a stream of photos documenting his gastronomic adventures on his Facebook).

He managed to turn more than one head in the restaurant that day when he requested that the Tony’s wine steward decant a bottle of 2002 Perrier-Jouët Fleur de Champagne.

“All Champagne should be decanted,” he explained. “In fact, before the invention of the méthode champenoise” whereby Champagne is disgorged to eliminate its sediment, “all Champagne was regularly decanted, in order to separate the lees [i.e., yeast] from the wine.”

“By decanting the wine, especially a ‘tight’ wine like this one from the excellent 2002 vintage in Champagne, you allow the floral and fruit notes to emerge together with the notes of yeast. After all, what is Champagne? In most cases, it is made predominantly from Pinot Noir.”

And while many of Tony’s guests will naturally reach for a rare bottle of red Burgundy, Barolo, or Barbaresco when pairing with white truffles from Alba, “I always pair truffles with Champagne,” said Max. “It’s an excellent match, taught to me by [Barbaresco and Barolo great] Angelo Gaja. Whenever I visit him in Piedmont, we always pair truffles and Champagne!”

Please do not hesitate to ask your wine steward to decant your wine at Tony’s, if desired.

Winemaker Robert Kamen visits Tony’s

WE REGRET TO INFORM OUR GUESTS THAT THE ROBERT KAMEN DINNER IS ALREADY SOLD OUT (AS OF TUES. NOV. 8).

PLEASE ASK YOUR SERVER ABOUT ROBERT KAMEN WINES THE NEXT TIME YOU VISIT.

Iconic California Winemaker
and Hollywood Legend
Robert Kamen
visits Tony’s

Wednesday, November 16, 2011
7:00 p.m.
5-Course Tasting Menu
created especially
by Tony Vallone
$175 per person
LIMITED AVAILABILITY
to reserve, please call
(713) 622-6778

THE ICONIC WINES OF ROBERT KAMEN

When spirited winemaker Robert Kamen was growing up in the Bronx, New York, he never imagined that one day he would become one of California’s leading winemakers, hailed by Robert Parker, Jr. as the producer of “one of the top Cabernets in Sonoma” today.

Making the story all the more remarkable is the fact that Robert also became one of our country’s leading screenwriters and filmmakers, with titles like Taps, The Karate Kid, The Fifth Element, and Taken to his credit.

Robert will be returning to Tony’s on Wednesday, November 16, for a dinner featuring wines from his biodynamic estate paired with a tasting menu created especially by Tony Vallone for the occasion.

SPACE IS EXTREMELY LIMITED: don’t miss this unique opportunity to meet Robert and taste with him. Please call (713) 622-6778 to reserve.

Legendary Italian winemaker Gaja visits Tony’s

When deciding where she would dine while in Houston, Gaia Gaja — daughter of legendary winemaker Angelo Gaja and fifth-generation ambassador of her family’s wineries in Barbaresco (Piedmont), Bolgheri (Tuscany), and Montalcino (Tuscany) — selected Tony’s to host her and a group of top Texas wine professionals for a tasting of her family’s current releases (as well as a few older vintages).

As Tony (below, with Gaia) often observes when it comes to fine wines (and in this case, the finest of Italian wines), “you can’t change what’s in the bottle and so you need to create the pairings to match the wines.” The meal he tailored especially for Gaia and her family’s wines was a capolavoro — a masterpiece in the art of food and wine pairing, combining traditional and avant-garde elements drawn from the classic cuisine of Piedmont as well as the great canon of fine dining in America.

The first course, to be paired with the new release of Gaja’s 2009 Gaia & Rey, was a Branzino (Sea Bass) Tartar with Prosecco Emulsion, Spoonbill Caviar, and Poached Potato.

Gaja’s Chardonnay — named after daughter Gaia, who was born the same year the vineyard was planted and Gaja’s grandmother, Clotilde Rey — was the first Chardonnay in Italy to be fermented and aged in French barriques.

“This is a Piedmontese expression of Chardonnay,” said Gaia of this highly coveted and rare wine. “Even though it undergoes complete malolactic fermentation, it still retains wonderful acidity. This is thanks to our cooler climate and unique soil types.” By the end of the meal, this wine had begun to reveal aromas of honeysuckle and lavender, with notes of ripe stone fruit in the mouth.

Next came a Porcini Risotto paired with the family’s Ca’ Marcanda estate 2008 Magari: roughly 50% Merlot blended with 25% Cabernet Sauvignon and Cabernet Franc, grown and raised on the Tuscan coastline in the village of Bolgheri (where the historic Super Tuscans originated).

The first wine ever produced by Gaja’s Bolgheri estate (purchased by the family in 1996), Magari (pronounced mah-GAH-ree) means if only it were true in Italian and its name expresses hope and desire “and optimism for the future,” said the thirty-something Gaia. The 2008 Magari — the most approachable of the Ca’ Marcanda estate’s wines in its youth — was elegant yet muscular, fresh and clean in the nose and on the palate, with rich red fruit and gentle acidity and tannic structure.

For the next flight — 3 of Gaja’s top wines, 2007 and 2008 Barbaresco and 2005 Sperss — Tony asked his Chef de Cuisine to prepare the restaurant’s pièce de résistance, Whole Salt-Crusted Red Snapper (locally sourced) dressed in a Barolo reduction sauce.

The 2007 Barbaresco, however young in its evolution, was already beginning to reveal the classic rose petal and white truffle aromas of Gaja’s benchmark Nebbiolo (Barbaresco is made from 100% Nebbiolo) combined with its characteristically bright acidity and nuanced tannic structure.

And while the 2007 — a generous vintage for Piedmont growers — was perhaps the more expressive of the two vintages, the 2008 impressed the group of wine professionals with its rich tannic structure and delicate floral and fruit aromas. More “tight” than its sibling, this wine may be one of Gaja’s greatest in recent memory, despite the challenges faced by growers in the wet 2008 growing season.

“It’s all thanks to the position of our vineyards in Barbaresco,” said Gaia. “We are lucky to have nearly all southern-facing growing sites and this made for very juicy berries in 2008. We are very happy with this vintage,” she added.

But the greatest surprise of the tasting was her family’s 2005 Sperss, the legendary bottling of Barolo that Angelo Gaja “reclassified from Barolo DOCG to Langhe Nebbiolo DOC in 2000 with the 1996 vintage,” explained Gaia, thus allowing him to add small amounts of Barbera grapes to assuage the intense tannin of Nebbiolo grown in Serralunga d’Alba, a village known for Barolo with the greatest aging potential of the entire appellation.

In this exceptional wine from an exceptional vintage, the tar and earth of classic Barolo were balanced by ripe red fruit and brilliant acidity. And the wine’s youthful, muscular tannins (promising many more years of evolution) were nonetheless graceful and unlabored. Gorgeous, gorgeous wine…

And when the waitstaff produced the first Alba truffles to arrive from Italy this year, Gaia exclaimed: “These are the first truffles that I will eat this year! How great!”

Shaved over Forty-Days-Aged Prime Filet of Beef, they made for the ideal accompaniment for the top wine from Gaja’s Montalcino estate, Pieve Santa Restituta: 2006 Brunello di Montalcino Sugarille, the top vineyard on the property.

“This is perhaps the greatest vintage of Gaja’s Brunello ever,” noted a Houston wine writer who had been invited to join the group of wine professionals. “A classic vintage from Gaja’s top growing site in Montalcino,” he added.

This wine delivered the inimitable combination of bright acidity and juicy plum flavors that makes Sangiovese (in this case, the renowned Sangiovese Grosso clone of Sangiovese, unique to Montalcino) one of Italy’s greatest food-friendly wines — the quintessential pairing for beefsteak. Gaja’s 2006 Brunello — judiciously modern in style — paired gloriously with the truffle-topped filet, a marriage of the classic and the avant-garde, combining traditional elements of Italian cuisine in an unforgettable confluence of flavor and aroma.

And dulcis in fundo, Gaia donned her cowgirl boots just for the occasion…

Please ask your server about Tony’s current offering of Gaja’s wines — from all three of the family’s properties in Piedmont and Tuscany.

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